format:
Acyrlic on canvas
Taking abstract notions of love as the subject the paintings, 'The Neurochemical Consequences Of Infatuation' and 'The Biological Phenomenon Of First Love' are reduced to hundreds of differently coloured geometric squares or strips. The paintings are made in relation to a human scale, 200cm x 200cm so that the viewer is optically immersed in colour.

dimensions:
200cm x 200cm

The Neurochemical Consequences Of Infatuation - 2008
Futures Gallery, Glasgow Science Centre

The Biological Phenomenon Of First Love - 2008
Futures Gallery, Glasgow Science Centre